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Thalassaria

by Batterhead Down

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1.
“Stand stable here and silent be, That through the channels of the ear May wander like a river The swaying sounds of the sea.” – W. H Auden, On This Island “‘The time has come,’ the Walrus said, ‘to talk of many things: of shoes- of ships- and sealing wax- of cabbages- and kings- and why the sea is boiling hot- and whether pigs have wings.’” – Lewis Carroll Through the Looking Glass, ch. 5 “When you do dance, I wish you A wave o’ the sea, that you ever do Nothing but that; move still, still so And own no other function.” – Shakespeare, Winters Tale “I will make a palace fit for you and me Of green days in forests and blue days at sea.” – Robert Louis Stevenson Song of Travel, XI “. . . There is rapture on the lonely shore . . . by the deep sea and music in its roar.” – Lord Byron Beppo st. 178
2.
“The whirlpool of Charybdis, where the sea forever spouted and roared and the furious waves mounting up touched the very sky.” – Edith Hamilton, Mythology “An Aged boatman named Charon Ferries the souls of the dead across the [river Styx] to the farther bank where stands the adamantine gate of Tartarus. . . Charon will receive into his boat only the souls of those upon whose lips the passage money was placed when they died and who were duly buried.” – Edith Hamilton, Mythology “Music begins to atrophy when it departs too far from the dance; . . . poetry begins to atrophy when it gets too far from the music.” – Ezra Pound, ABC of Reading
3.
“Never did I hear. . . so musical a discord, such sweet thunder.” –Shakespeare, Midsummer Nights Dream “I want to be free without being foolish.” – John Cage, I have nothing to say and I am Saying It “This restlessness is a trait of the sea almost as fundamental as its wetness.” – Leonard Engel, The Sea, ch. 4 “A dance is a measured pace, as a verse is a measured speech.” – Fracis Bacon, Advancement of Learning
4.
“The real reason I dance is because I want to explode.” – Bill Evens “Slow, slow, fresh fount, keep time with my salt tears: Yet, slower, yet; O faintly gentle springs; List the heavy part the music bears, Woe weeps out her division, when she sings.” – Sir William Jones, Cynthia Revels, I.i
5.
“Nothing to say now Let the words be yours I’m done with mine” – John Barlow, Cassidy “In a solitude of the sea. . . cold currents thrid and turn to rhythmic tidal lyres.” – Thomas Hardy, The Convergence of the Twain “She hadna sail’d a league, a league, a league but barely three, Till grim, grim grew his countenance and gurly grew the sea.” The Dæmon Lover “I’d love to go drowning and to stay, and to stay But the ocean doesn’t want me today. . . A rip tide is raging And the life guard is away But the ocean doesn’t want me today The ocean doesn’t want me today." – Tom Waits, The Ocean Doesn’t Want Me “But God has a few of us whom he whispers in the ear; the rest may reason and welcome; ‘tis we musicians know.” – Robert Browning, Abt Vogler xi
6.
“A man who is not afraid of the sea will soon be drowned ...but we do be afraid of the sea, and we do only be drowned now and again.” – John Millington Synge, The Aran Islands, pt. II “Suave, mari magno turbantibus aequora ventis, E terra Magnum alterius spectare laborem;” [Lovely it is, when the winds are churning up the waves on the great sea, to gaze out from the land on the great efforts of someone else] – Lucretius, De Rerum Natura, ii.1 “The sea will rise . . . please stand by the shore . . . I will be . . . I will be. . . . there once more . . .” – Eddie Vedder, Oceans “O Body swayed to music, O brightening glance, how can we know the dancer from the dance.” – W. B. Yeats, Among School Children VIII

about

The Sea...Thalassa the Greeks would say. A vast world that stretches out beyond the horizon at every shore. Often we overlook it when we speak of the world. We speak of continent, countries, and cities. Yet the majority of the planet is covered in water, and in that water lies so much. The waves at the shore ceaselessly pound the rocks with great violence, yet the ocean is also a home to great depth and calm. The currents run with fluidity and grace.

All this is a metaphor for the music of Thalassaria. The instrumentation is comprised of what is referred to as the rhythm section, bass and percussion, which are often overlooked when we speak of music. Throughout the piece the listener will hear depth and fluidity juxtaposed against violence and chaos.

There are three basic components to music: rhythm, harmony, and melody. Drums and percussion will provide us with the rhythm, beating out the time and embellishing the sound with other colors. The bass is a unique instrument because it gives us rhythm and harmony.

A melody sung by a single voice, an Aria, will be the dance. A melody to be beheld. A visual melody. Therefore combining our metaphor of the music, Thalassa, and our metaphor for the dance, an Aria, we have the name...Thalassaria.

The idea began very small as an opportunity to work on improvisation and the dancers’ musicality. The collaboration of Merce Cunningham and John Cage was brought to my attention, along with their
work and philosophy of art. Jonas Hellborg, as well as the bands Ruins and Quartetto Stig all planted great seeds of inspiration. As the ideas flowered and bloomed the metaphors began to take shape. Once the name was struck upon, the damn broke and out flowed the entire concept. "Thalassaria will be a multimedia evening of music, dance, visual art, literature, and fellowship that will entertain and inspire all those given a chance to see it.”
– AMG

credits

released August 28, 1998

Anthony Garcia – Composition, Bass
Emilio Mendoza – Bass
Anthony Amodeo – Drums
Zoltan Hrotko – Percussion, Quotes

In live performances the Dance was performed by the Beacon Street Dance Project and choreographed by Jennifer Seigle

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Batterhead Down Santa Cruz, California

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